14
Aug

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Six Tips to Paint More When Time is Short – and a Watercolor: Quilted Aerial

Quilted Aerial 12.6 x 9 watercolor on paper This summer has been a whirlwind of events and family-fun with very little time for painting watercolors. I get rusty and a little distracted when I don’t paint regularly, so I look for efficient ways to shorten the path to my brushes. Here are six tips to paint more when time is short, because there’s a great deal of joy & happiness mixed into all those pigments, and we have to actively and deliberately go after it. 🙂 Six Ways to Paint More When Time is Short Pre-Draw your work.  Plan your next series, and …[Continue reading]

13
Aug

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Drypoint Printmaking: Fervent (& small, affordable printmaking press alternatives)

Making Prints without a Press On my youtube channel, one of the most frequent comments left on printmaking tutorials is how to make art prints and printmaking without a press. A press is an expensive investment, and they’re heavy, with a large footprint that’ll take up quite a bit of floor space in a room.  There are also many to choose from, so it’s understandable that beginning printmakers are overwhelmed. Press Alternatives There are workarounds for some printmaking methods (relief/block prints), but not all of them. Hand transfer of drypoint engravings, etchings and intaglio style prints is a lot of work, fickle in nature, and it might …[Continue reading]

8
Aug

CottonandIron12.6x9.4.72

Do the people closest to you Influence your Artistic Journey?

  When I first considered leaping into art full time, I called several artists I’d heard about, introduced myself and asked if I could buy them lunch and pepper them with questions related to making art as a livelihood. All of the artists I called agreed to meet with me. One of them relayed that her journey started with no art experience, beyond some much-enjoyed watercolor classes. She didn’t have artist friends or family, and her job had nothing to do with art.  Once she decided to pursue art, she earnestly sought a mentor, and friendships with experienced artists. She attended art-related events, …[Continue reading]

30
Jul

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Watercolor Portrait of an Olive Vendor in Provence (& Hahnemühle paper Giveaway Winners!)

You Guys Are Awesome! Thanks to everyone who read and commented on the last post review and giveaway from Hahnemühle paper! Five lucky winners have been pulled from names tossled about in a festive Provence hat, and they are: Carolynn Pappas, Catherine Root, Donna Thibodeau, Jim Serrett, and Marti de Alva Congratulations on your new art supplies, my friends! The good folks at Hahnemühle will be in touch via email to ship samples your way. For everyone still curious about trying Hahnemühle papers, click here to visit the previous post, and check the links under the little sailboat painting on postcard paper for resources where …[Continue reading]

24
Jul

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Review of Hahnemühle Watercolor Paper and a Giveaway!(closed)

Hahnemühle sent a few pads of watercolor and mixed media paper to test and review in my studio. I’ve heard about Hahnemühle fine art papers, but never tried them. I’ve been happily enlightened. 🙂 Bamboo Mixed Media Paper I used graphite, ink, watercolor and colored pencils on Hahnemühle’s bamboo & cotton blend mixed media paper, and I loved it! The surface is natural white, very sturdy (125 lb) paper, and it has just enough tooth to catch colored pencil beautifully. The paper handled micron pens without any bleed, erased pencil with no pilling, and held passages of watercolor up on the surface brilliantly. …[Continue reading]

16
Jul

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Watercolor Still Life & Artist Tools for help with Painting Values

Good morning! Did you know Winsor and Newton publishes a series of mini painting-tip videos? (You can subscribe to W&N here.) This week’s tip (watch it here) is about same-value color fields to create depth, add interest, and suggest atmosphere in broad passages where you might otherwise use a single, flat color. Very useful, I think. Do you already do this in your work? What is Value? Value is a challenging concept for many new artists. The directive to “squint” to find them, looking back and forth to compare source material and the painting in process can be frustrating if you don’t know what …[Continue reading]

27
Jun

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Watercolor – Open Morning (& mixing greens in watercolor)

Mixing Greens Now that I’m finished with Spring art festivals and overseas travels, it’s time to sort the studio and plan summer paintings.  I’m almost finished with two citrus watercolors similar to this one. While mixing yellows and greens for grapefruit, oranges, and citrus leaves, I refer to Jeanne Dobie’s Making Color Sing. I like what she has to say about mixing green in watercolor: What are the best pigments to mix with green? Begin by selecting aureolin yellow, the most transparent yellow pigment. Many students reach for yellow ochre to mix in their greens, believing it is a natural landscape or earth-tone …[Continue reading]

19
Jun

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Watercolor – La Maison Rouge (and busting through Creative Block)

When is it hard to paint? Not because of squeezed schedules, demanding jobs or illness; I’m talking about when you have time set aside to be creative, and you don’t jump in because of distraction, creative block, self doubt/fear, or not knowing where to start. Yeah, THAT list of obstacles. We’ve all been there.  I’ve missed my watercolors more times than I can count. The interesting thing – to me – is that creative block is purely an adult issue. (Give a child you know some paper and crayons, and watch the magic.) This implies that being artistically stuck is wholly and deeply …[Continue reading]

14
Jun

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Watercolor: Study for Roussillon (& Ochre pigments)

There’s an incredible ochre mine in the Vaucluse region of Provence. On a recent trip, fellow workshop attendees and I walked around Roussillon and marveled at the color of the soil. The earthen cliffs in late afternoon sun are a solar flare of orange against foliage and sky. Many of the buildings in the village are burnt orange or red, instead of the usual Provence beige or gray stucco. At a distance, the color of the architecture looks as though Roussillon sprouted from the soil. It’s a lovely nod towards their ochre mining history. Shops sell linen table cloths, printed in bold patterns …[Continue reading]

9
Jun

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Micron Pen & Watercolor: Cypress at L’Arcade (& frustrations at art workshops)

A few weeks ago, I worked as crew with WorkshopsinFrance.com, during a fantastic Carol Marine workshop at a chateau in Provence. I used ink & watercolor on the cypress trees and hedges above, feeling appreciation & breathing in the French air on the lawn where we stayed.  The workshop had all the magical scenery (queue the location shots from A Good Year), food & wine and culture you might imagine from that region of the world. *And* ART, everyday, all day long. One of my favorite things about art workshops is days-upon-days of discussing art making, art supplies, art marketing, and artist experiences …[Continue reading]

5
Jun

whatrewedoingtoday

Watercolor: What’re we doing Today (& Digital vs Paper Books)

If you visit here often, you might know I’m an Audiobook fan.  I recently finished listening to News of the World, Born a Crime and The Demon Under the Microscope, and I loved all of them. I’m challenging myself to read (listen to) 25 books in 2017, which is lofty – for me – but aim for the stars, right? If you’ve never listened to an audiobook while painting and drawing, you can give it a twirl for free with this link. Download your first book for free, and if you don’t like it, cancel out of Audible, but keep the book. 🙂 Not a bad test, …[Continue reading]

30
May

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Watercolor: Isle sur la Sorgue Cafe & Back from France

I’m home from France, fresh over jet-lag and loaded head to toe with inspiring photos, ideas & new friends. I’m particularly marinating in game-changing tips and tricks from watching Carol Marine teach attendees of her workshop. Carol Marine is a seasoned and generous instructor. She casually sprinkles workshop attendees with her hard-earned painting, drawing and seeing knowledge, and she doesn’t hold anything back. She’s earnestly helpful, potently encouraging, and incredibly articulate about process. Her painting method is something to behold, but what made me swoon was her work ethic. Carol’s conviction to practice her art is a non-negotiable priority. The rest of us juggle other priorities, which leads to …[Continue reading]

6
May

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Watercolor: Early Bird Breakfast

Inspiration from the Past We haven’t lived in the home that inspired the watercolor still life above for over a decade,  but during the years while raising kids there, I took thousands of photos, and started painting full time, which buoyed my conviction towards being a better “noticer”. Picking What to Paint White tile counters are reflective. The shiny ceramic surface broadcasts the color and shape of everything on and above them, so my kitchen counter at dawn became a new painting opportunity every day. We filled bowls with bird seed on the ledge outside, and happy hour gathered at dawn with feathered, chirping and squeaking over a …[Continue reading]

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