Tag Archives | interiors

14
Jan

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Making a Silk Aquatint: The Captain’s Cabin

Silk Aquatint Experiments What’s a Silk Aquatint?  This previous post covers the mechanics of how silk aquatints work, and some of the materials used.  Let me show you more details here so you can build one yourself. Silk Aquatint is a form of printmaking that’s considered an intaglio print – that is – you’re printing from the recessed areas of the plate’s matrix, where ink is hunkered down, after wiping the uppermost surface of the plate clear. In order to get paper to dip down into those tiny spaces in the screen of the silk where it will pick up your ink, printing via an …[Continue reading]

29
Dec

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Light Field Monotype: Monterey Retreat

What’s a Monotype? A few posts back – the one about printmaking ink I accidentally left on a monotype plate for several weeks – I got a flurry of questions about monotypes. So let’s review, shall we? Monotypes are a printmaking method that don’t require carving, engraving, acid or solvents, and depending on your approach and materials, you don’t need a press to print them. Images are simply painted onto a smooth plate, and while the pigments are still wet, the plate is pressed firmly against a sheet of paper. When the paper is pulled from the plate, the inks and paints have been …[Continue reading]

7
Aug

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Watercolor: Glendale and Painting your Places

Paint your Life My first home after re-locating from the East Coast a few decades ago was a stucco, 1950’s ice-cube-tray styled apartment building in Glendale, California. The scent from my neighbor’s orange trees and the hazy, filtered sunlight made up for what the space lacked in character, and trying to capture the not-new-england atmosphere in watercolor was challenging and full of memories. (I started painting again, intermittently, while I lived there, so that’s something.) I love following other artists and bloggers who document their towns and rooms in their art – like Barbara Muir, Karen Hollingsworth, Colin Page, Eve Mansdorf and Charles …[Continue reading]

21
Jun

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Watercolor: Vacation Rental and Links to Watercolor Tips

Painting Interior Spaces with Watercolor This watercolor was inspired by a reference photo taken in Florence, Italy a few decades ago. Old world charm, wrapped around a relaxed array of books, maps and tangerines from the market downstairs, all warmed with a wash of Italian light. I’ve loved window light spilling over rooms like this since I was a child.  I enjoy sinking my teeth into the challenge of trying to really see & render the values and temperatures that convey such a relaxed, invitational atmosphere. Using The Grid Method to Transfer Reference Photos to Paper I was waiting for a scheduled power …[Continue reading]

2
Oct

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Watercolor – Nested (and my Patreon page)

Nourish your Creative Self Advice for Life Thank goodness brilliant minds take time to document ideas, creations and formulas. Especially these days, with storm clouds all around. Where would we be without the written word, or art supplies? You and I have the option to pour over the masterful conclusions scribbled and painted by smart people who lived centuries before us. Populations have previously wrung their hands, knit their brows and scribbled solutions toward figuring things out. We probably don’t need to sit in a foggy slump, stained by events we can’t control, or stuck on a problem. Let’s try taking a deep breath, …[Continue reading]

22
Sep

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Monotype: Winter Geraniums (when art is inspired by family photos)

Do you Paint from Family Photos? The reference photo for the monotype above was snapped in the mid 1970’s, in my dad’s childhood home in rural Connecticut. My grandparents bought and renovated the house in 1944, after it had lived a full life as Old Meadowbrook Farm – a Country Inn and gladiola farm since the late 1800’s. If you’re unfamiliar with monotype printmaking, there are many posts on this blog featuring monotypes in process (click here to see a few posts).  You can also watch monotypes being made on my youtube channel. Gather your supplies and lets make something, shall we? This monotype, …[Continue reading]

11
Jan

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Linocut: Dozing (Artist Goals; Looking Back to Go Forward – Part 1)

What are your artist goals for 2017? How did they work for you in 2016? A review of what’s behind us is helpful for planning what’s in front of us, especially if we want to steer towards new and improved pathways, right? You could cross the length of the pool in front of you by just swimming, but it’s more efficient (& fun) to kick off the wall behind you for a decisive start. If you’re inclined to mutter about what you didn’t finish into an end-of-the-year tea cup of disappointment, perhaps a review of last year while drafting a plan for this year would be a perfectly swell …[Continue reading]

7
Sep

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Watercolor: Laptop Nightlight (& encouragement to finish your art)

I love art featuring readers. I have a pinterest board of inspiring paintings of people and their books, and our descendants collecting imagery of this subject will likely include paintings and drawings of people curled around laptops, balancing nooks & ipads on their laps, and sitting contentedly under headphones. I finished listening to the audio book The Greater Journey by David McCullough while painting this little night time watercolor of a reader (above), and started The Little Paris Bookshop by Nina George. I’m painting street scenes from Provence, so the book’s very french flavor fits the art in process. 🙂 For this week’s #linklove post, I’m featuring Mr …[Continue reading]

22
Jun

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Watercolor: Aperture (& the San Diego Festival of the Arts)

The San Diego Festival of the Arts on Waterfront park was lovely last week. We had a gray day to start on Saturday, but eventually, the sun came out along with the crowds, and I saw plenty of people strolling the lawn with paintings & sculpture under their arms.  I sold both watercolors and printmaking, so collectors were collecting, and many of the artists I spoke to were having a very good show. That’s always a hopeful sign to all artists who sell their work. This is brief because the day after the art fair, I left for France, and I want to share …[Continue reading]

3
May

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Watercolors: Unwind (& Art Festival photos from San Diego Artwalk)

I’m back from a weekend of selling watercolors and printmaking at the Artwalk in San Diego’s Little Italy. I’ve posted photos below from Beech & India Streets; 350 artists line up on 15 blocks, alongside turn of the century Italianate houses, and spiffy new mirror-glass office buildings and high-rise condos, just a few blocks from the ocean. By the end of the weekend, 100,000 people walked through the show, and in addition to the art, attendees enjoyed live music, food (the Italian sausage booth is always very popular, as is the funnel cake served with powdered sugar, fresh berries and whipped cream) and photo ops with San Diego Police SWAT …[Continue reading]

21
Aug

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Watercolor: Glendale (& a video about Yellow Ochre)

Do you use yellow ochre in your watercolors? Is your pigment categorized on the Color Index as PY43 (natural pigment yellow iron oxide) or PY42 (synthetic yellow iron oxide)? Yellow Ochre pigment is the oldest paint on the planet. It was used in prehistoric times, and it’s still used today to create warm, organic golds, yellows and mixes of earthy rich & complimentary hues. Here’s a six minute primer video (below) about yellow ochre, with sample mixes, and a few watercolors from artists in history that featured earthy & ochre hues. If you don’t see the window below, you can watch the yellow ochre …[Continue reading]

7
Jul

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Monotype: Window Hat

An open open door, leading to an open window, with a vase of flowers on the sill, back-lit with hazy, afternoon sun light in a vintage bungalow bathroom in Los Angeles. A long time ago, I lived in a crooked, second story carriage house adorned with 1930’s tile and lead-weight windows with hundred-layer painted sashes. The light in those 60 year old rooms used to send me dashing for a sketch book and my camera. The reference photo for this monotype is 20 years old, but I still enjoy the process of trying to capture the atmosphere in those familiar corners and hallways. I’m working on a larger (20 x 18) …[Continue reading]

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