This art began it’s life as a watercolor. When I was almost finished, I knew it was overcooked. You know what I mean right? That moment when all your shimmering, artsy hope and sparkly excitement for What-Could-Be goes dark? Yeah, that one. I tossed the unfinished waif on a shelf, and there it sat, shivering & waiting to be shredded. Later, I was testing pastels over a small, expired watercolor to try to resuscitate it, and I remembered this sad ferris wheel watercolor. I wondered like a wizard over a cauldron if I tossed in some arbitrary color, and maybe a pinch of crazy mark-making, could I save this larger watercolor? I should have snapped a before picture – so you could see the difference – but you’ll have to trust me; this used to be a wannabe watercolor. The shoreline was flat as a floor, there were no clouds, and the architectural elements looked like something out of Gunsmoke. It’s much more ♥festive♥ now. Yahoo for second chances!
So how many half-finished, abandoned or overcooked watercolors are hidden in your cupboard? Maybe it’s time to pull out your pastels, oil paints, colored pencils, crayons, etc. and have a little art party? Don’t be safe about it – go a little crazy. You have nothing to lose if you already thought the art was a failure, right? Be loose, and leave your marks visible on top of the pigment. Not only do you give your painting a second chance to become something, you also get to survey what you’ve learned about making good art between then and now. It’s a double wide chair of positive. Take before and after pics, and share your magic. Abracadabra! Go make something!
Have you tried listening to audio books in your studio yet? I just got new hot-pink ear buds, and I’m about half way through John Irving’s Cider House Rules, narrated by the amazing Grover Gardner. I kid you not – it keeps me working in the studio twice as long as usual – because I want to hear what’s going to happen next. 🙂
Feedback doesn’t tell you about yourself. It tells you about the person giving the feedback. In other words, if someone says your work is gorgeous, that just tells you about *their* taste. If you put out a new product and it doesn’t sell at all, that tells you something about what your audience does and doesn’t want. When we look at praise and criticism as information about the people giving it, we tend to get really curious about the feedback, rather than dejected or defensive.