Search results for "how to make a monotype"

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Monotype: Start Here and Paying Attention in Art

Resurrected Art This little still life monotype ghost print was pulled from the stash I keep in a box in my studio. It’s nice to have a trove of art that’s started, but not finished, especially in the evenings when time is bracketed between dinner and bedtime.  Working on art that’s already laid-out pulls the finish line a little closer to you. Drifting off to sleep knowing you just completed a little art-making is a good path, even if you started the piece thirteen years ago. 🙂 Better than Planned I’ve been making monotypes since 2005 when I took a printmaking course to …[Continue reading]

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Trace Monotype Printmaking: Ginger Plumage

A Buoy of Kindness Thanks for all of your generous responses to my last post. The artist-blogger community never fails to surge forward with kindness after a troubling event, or a trying time, and I’m incredibly grateful for this virtual, palpably good community. You set the bar for civility and encouragement, and I’ll do my best to reach that watermark in an attempt to pay it forward. Extinct Art Festivals For over a decade, I’ve visited with patrons, friends and family at upcoming art festivals here in Southern California.  As of this Spring, several art festivals have gone the way of many galleries, and …[Continue reading]

Learning to Love Books, Monotype with watercolor & colored pencil

Monotype Printmaking – Learning to Love Books, and a monotype video from MOMA

Making Art in Public Places For a few years, I exhibited watercolors and printmaking for a month at a time at Descanso Gardens in La Canada, California. Plant aficionados, trail hikers, botanists, beekeepers, school bus field trips and runners frequent the camellia forest there. I liked working on watercolors and printmaking in the gallery, because the gardens are incredibly quiet (the word descanso translates to a place of rest), the grounds are beautiful and it gave me an opportunity to discuss art making process with visitors. A Primer on Monotype Many of the folks I met at the gardens had a pleasantly vague …[Continue reading]

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Monotype: Gold Mining and Tips for Making Art after Moving

How Does Moving Affect Your Art? In a recent newsletter (you can read it here), I described an impromptu art-making party in the temporary home of a friend who lost her house and studio in the Thomas Fire. Four of us gathered around a folding banquet table with borrowed chairs and tote bags full of art supplies to cast a creative spell, and inaugurate the space that will be Didi’s art studio. Making Art in Unfamiliar Spaces How does one get back to art-making after the upheaval of a move? When the layout of the art room, and storage of supplies is opposite …[Continue reading]

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Monotype: Solar Flare (and supporting research for a cure for Alzheimer’s)

Monotype Ghost Prints My love-affair with monotypes continues with this floral still life, painted on a very faint ghost print.  I’m considering a monotype workshop in my new online school – http://www.belindatips.com – with particular attention to making monotypes without a press. Would you be interested in such a thing? Inspiring Monotype Art Here are some links to artists making painterly monotypes, specifically with watercolor (as opposed to the traditional, oil based printmaking inks). A few beauties by Edgar Degas, Paul Dougherty and Maurice Prendergast at the Cleveland Museum. Debra LePage’s watercolor monotypes, printed from yupo paper Heidi Fourie’s soft, tonal portraits in watercolor …[Continue reading]

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Monotype: Untethered Cultivar, inspired by John Everett Millais’ Ophelia

How do you make a monotype? Monotypes are a very painterly form of printmaking. There’s no carving into the plate, no materials glued to the plate, and nothing applied to the plate’s smooth surface, beyond pigment. Inks can be rolled on the plate for full coverage with a brayer, and then removed with q-tips and scrapers to create an image in a subtractive process. This is called a dark field monotype, since you’re starting with a completely covered (or dark) plate. Dark Field vs Light Field You can also paint your image on the plate in a direct, additive manner, which is called …[Continue reading]

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Monotype: Winter Geraniums (when art is inspired by family photos)

Do you Paint from Family Photos? The reference photo for the monotype above was snapped in the mid 1970’s, in my dad’s childhood home in rural Connecticut. My grandparents bought and renovated the house in 1944, after it had lived a full life as Old Meadowbrook Farm – a Country Inn and gladiola farm since the late 1800’s. If you’re unfamiliar with monotype printmaking, there are many posts on this blog featuring monotypes in process (click here to see a few posts).  You can also watch monotypes being made on my youtube channel. Gather your supplies and lets make something, shall we? This monotype, …[Continue reading]

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Monotype: Keyhole to Springtime (& finishing what you started)

Staggered Beginnings I started this monotype in my previous studio about three years ago.  Yep, that’s a thousand days, people. I’m predictable in my art-making process; I get *so* excited to start! The early stages of making put me in a fevered flow state.  While happily playing with color and shape, I don’t feel hunger, fatigue, or distraction. I’m a comic book superhero art-making machine. And then, I stall. After all the excited beginnings, I eventually get to a place where I have to make big decisions that will either kill or strengthen the art. I’ve written about the trouble with Pride and Ego in art making, and I …[Continue reading]

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Monotype: Dandelion Wind (& praise for notebooks in the studio)

The ideas I have for new watercolor paintings, woodcuts, monotypes, drypoints and tutorial videos are swelling to burst. I’ve got concepts piled high enough in my cranial attic to make a hoarder proud, and I can’t wait to get started. But it won’t be this week, or even next week, because other priorities need to be juggled. In the meantime, I’m writing it all down. I’ve almost filled a new notebook with a braintrust of ideas, concepts, colorways, narrative series, and methods. Do you scribble ideas as soon as they arrive? Much of my life hums along efficiently in digital format – I spend a good part of …[Continue reading]

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Monotype: Winter Sunlight (Artist Goals – Art Studio Planning – Part II)

Artist’s Goals, Part II This is part II of plotting your artist goals for the new year. In the last post, we reviewed what we did (and didn’t) do in 2016 to inspire adjustments for 2017. Did you crave more art-making last year?  Creative output happens if  you 1) reserve time & 2) give art your full, uncluttered focus. Art doesn’t usually chase you down. It’s up to each of us to pursue art. We’re more apt to prioritize emptying the dishwasher over sketching, or surfing social media instead of finishing that still life painting.  Those activities are fine, but if you didn’t get enough art-making in 2016, you might fare …[Continue reading]

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Monotype: Ophelia (& a survey of Printmaking inks)

I love the pre-raphaelite painters Millais, Hunt, Rosetti and Waterhouse. Their incredibly imaginative visual interpretations of Arthurian & Greek legends inspire scrutiny of narrative in paintings. Compositions are arranged like theatrical stage sets, with carefully placed evidence of the storyline rendered here and there, so you’re invited to lean close and look at details. What must it be like as a writer to see your words transformed by talented artists into faces, carriage and gestures on canvas? This monotype (above) from Hamlet’s Ophelia was pulled from the ink quickly, so it has a sketchy, painterly feel to it. I’ve added a light wash of watercolor, and …[Continue reading]

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Monotype: Purple Barn (& organizing your studio)

There’s a lot of Fall harvesting going on here in California. The farms near my house are full of cage-box trucks heavy with green and yellow citrus, and the scent of fresh-cut produce is strong on the roads I frequent; onions, peppers, cabbage and herbs are all abundant and fragrant. As we approach the end of the year, this is a good time to take stock of your art-making habits, the state of your promotional activities, and where and how you’re making your work available. Is your studio organized and ready for you to get to work? Did you make the volume and the …[Continue reading]

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Trace Monotype: Balladeer (& museum-goers are asked what they see in art)

My grandparents met in a Connecticut textile mill as teenagers. They were not yet 20 when they married. He was from Canada and spoke only French, and she was from England, so communication was challenging in their early years. Right up to the end of their lives, they held hands, patted the empty seat next to them beckoning the other to come sit close, and they made each other laugh, especially while reminiscing. I loved visiting them, typing frantically on my lap top, to harvest everything they giggled when I asked “Where were you when you first kissed?” (In the back of a horse-drawn sleigh on a snowy Thanksgiving …[Continue reading]

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Monotype: Window Seat (& praise for Video Art Tutorials)

This art blog began as an exercise in accountability in 2005. I planned to document my renewed commitment to get back into art-making after a decade-long hiatus. Almost immediately, it morphed into a platform to share process, and hopefully, encourage other out-of-business artists to get back to work. More recently, when I tip-toed into creating a youtube channel, I goaded myself forward with the warble that it was a “graduation” – finally advancing a decade of process stills up to the next level, to video tutorials. Here’s how un-brave I was/am; after creating the channel, it took me seven years to post the first video.  #riskaverse With video-function on cell phones & free editing software (Mac computers …[Continue reading]

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Trace Monotype: Florence Winter (and a new monotype tutorial video)

Printmaking without a Press? The process for this trace monotype (above) was filmed for the second printmaking tutorial in a series of three posted on my youtube channel .  How about you grab some supplies, clear a seat at the kitchen table, and make one yourself? I’ve listed all the bots and bobs you’ll need with links to vendors under the video window in the “show more” section.  The set up is simple enough to arrange on a kitchen table, with friends, neighbors & kids jumping in! See more images below. 🙂 #printmakingparty What is a Trace Monotype? If you’re new to the …[Continue reading]

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Trace Monotype: All in Green (& LinkLove videos on printmaking)

I’ve been writing about and filming trace monotypes, so here’s another one (above) from my archives. The process is simple and the mark-making is lovely. Here’s a little #linklove featuring a variety of printmakers’ videos on the subject: • This is a nice, clear step by step intro to the trace monotype process by School of Yule. • And this one, by a channel called Crafty Birdie is simple, and the end result is adorable. • Here’s a trace monotype drawing of a hampster, done loose and sketchy. (Don’t you need to make a portrait of your pet?) • Not trace monotype, but here’s a bonus: Bridget Farmer …[Continue reading]