Search results for "how to make a monotype"

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Monotype: Waiting for Rain – how to make a monotype

A New Monotype Tutorial I’ve posted another monotype tutorial video on my youtube channel. This one is perfect if you don’t have a press, or a whole day to play with ink; a single color is rolled out directly on a table covered with a large sheet of plexiglass. If you don’t have plexiglass, you can roll your ink out on a glass shelf or a piece of glass from a photo frame, taped down to a table. The back of a paint brush handle is used to sketch shapes into the wet ink, and the art-making process is off and running from there. The …[Continue reading]

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Monotype printmaking – Picnic Nap, and Five Printmakers to follow on Instagram, Vol. 2

Picnic Nap 8×6 Monotype Ghost with Watercolor & Colored Pencil (Available in my Etsy Shop) Using Other Media on Your Monotypes This monotype ghost print looked a little dubious all by itself (see below), but it had potential. The mark-making still visible in the thin veil of ink was interesting, but the tonal variations were too close together, and it needed more contrast to read as two embracing figures. Other Art Supplies to the rescue! This monotype ghost print, before I added color with wet and dry media. Do you paint your ghost prints too? If You’re New to Printmaking If you’re unfamiliar …[Continue reading]

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Color Monotype – California Incline, and Making Quick Monotype Studies from a page of Thumbnail Photos to Loosen Up

California Incline 8.5×10.5 Monotype with colored pencil Printmaking Play Date Here is a printmaking exercise for you. Print two sheets of thumbnails from paintable images snapped on your phone. Let’s make some light field color monotypes, but loose and fluid… no fussing allowed. If you don’t already have a folder of compulsively harvested art reference photos on your computer, walk around the house and snap some, or go for a walk, and collect some simple, visual magic. Some of the “drive-by” landscape thumbnails I’ve snapped from the passenger seat, printed as inspirational reference for a monotype marathon loosen up exercise. Artist Reference Photos …[Continue reading]

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Monotype Ghost Print – Italian Vacation and Art Links for You

Italian Vacation 4.75 x 4.5 Monotype Ghost Print with Watercolor and Colored Pencil (sold) Inspiring Art Links for You Marc Taro Holmes is embarking on a 30×30 challenge that’s a variation on the usual month-long painting commitment. He’s made 30 small monochrome studies using digital software (see them here) and he’s going to paint one per day for 3o days in the studio with no reference photos or live landscape views. There’s more to it. Check out his post here. If you’re on the west coast of the United States, do you know about the California Society of Printmakers? They host an artist …[Continue reading]

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Dark Field Monotype with Watercolor and Colored Pencil – San Juan Capistrano Bell

San Juan Capistrano Bell, 4 x 6 dark field monotype with watercolor and colored pencil (sold) Getting Ready to Make a Monotype This (below) is a 4 x 6 zinc plate, with beveled edges – since I’ll be printing this on a press. After rolling a smooth, thin layer of black printmaking ink on the plate, I’ll use cotton swabs, rolled paper towel pointers, blending stomps and a rubber gloved fingertip to pull ink from the plate in a subtractive process to create an image of the San Juan Capistrano Bell Tower in Southern California. Have you made one of these yet? Ready …[Continue reading]

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Monotype: Climb Back In

Climb Back In 4×6 Monotype Ghost Print with watercolor and Colored Pencil (available here) Monotype Ghost Prints If you’re new here, and unfamiliar with monotypes as a printmaking method, take a look at this post to see process shots.  Monotypes are very painterly prints, made with pigment alone (no incised lines on the plate) and they can be made in a huge variety of ways, with no press, and all sorts of media. Here is a six tutorial video playlist of monotype demonstrations for your perusal. You can also join this monotype group on Facebook to harvest examples, tips and encouragement. This is …[Continue reading]

Monotype Printmaking

Monotype Printmaking

Waiting for Rain 8.5 x 7.5 Monotype How to Make a Dark Field Monotype Print Here is a monotype printmaking tutorial video on my youtube channel. The monotype process demonstrated there – with the resulting print above – is a perfect first monotype printmaking project if you don’t have a press, or a whole day to play with ink. In this demo, a single color if ink is rolled out directly on a table covered with a large sheet of plexiglass. If you don’t have plexiglass, you can roll your ink out on a glass shelf or a piece of glass from a …[Continue reading]

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Monotype Ghost Print: Central California Farmland

Central California Farmland 7 x 8 Monotype Ghost w/ Watercolor (sold) The Beauty of Monotype Ghost Prints The monotype ghost print that became the art above waited in my flat files for months before I pinned it up, and had a good long stare at its possibilities.  (If you haven’t heard about monotype printmaking yet, visit this post and this one to see video tutorials, and process photos. You’ll be ready to make a monotype at the kitchen table in 20 minutes!) Now, where was I?… Oh yes – I was staring at possibilities. The beauty of monotype ghost prints is that you …[Continue reading]

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Five Printmakers to Follow on Instagram

In Between Chapters 6×6 reduction Linocut Give Printmaking a Go Printmaking methods, and the approaches within each method are a perpetual ocean for exploration and experimentation. Add to that artists’ layering of techniques – and hacks on traditional procedures – to create a bottomless channel available for deep study. The best way to dip your toe in the wonderful world of printmaking is to take a weekend workshop, so you can be guided through printmaking in action, with an understanding of the materials and sequences. If you work well with printed directions and solo creative endeavors, you can follow along with a printmaking …[Continue reading]

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Light Field Monotype: Monterey Retreat

What’s a Monotype? A few posts back – the one about printmaking ink I accidentally left on a monotype plate for several weeks – I got a flurry of questions about monotypes. So let’s review, shall we? Monotypes are a printmaking method that don’t require carving, engraving, acid or solvents, and depending on your approach and materials, you don’t need a press to print them. Images are simply painted onto a smooth plate, and while the pigments are still wet, the plate is pressed firmly against a sheet of paper. When the paper is pulled from the plate, the inks and paints have been …[Continue reading]

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Light Field Monotype – Potted Rosemary – and leaving inks on the plate for too long

First, a Word – Then a Monotype We’re approaching Christmas. This could signal time with extended family, gifts to wrap and unwrap, and hopefully, a morning lounging with a plate of waffles while still in your pajamas. There may not be a lot of art-making this week, but you can still think about art, right?  Or maybe distribute paper and pencils to everyone after dinner, set a timer, and draw each other’s faces.  Jot down ideas for your future art projects.  Grab an artsy friend or visiting family member and head to a museum or a gallery.  How about watching an art documentary …[Continue reading]

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Figurative Monotype – Jantzen Topper and Being a Gifted Natural vs a Determined Student

A Gifted Natural – or a Determined Student I attended a piano recital my grandkids played in last night. The performers ranged in age from about 5 to 14. The performers’ skills demonstrated everything from super beginner, first recital, barely able to reach the pedals and eek out Jingle Bells, all the way up to a classical piece played from memory with no sheet music. Praise for Effort Alone The range of proficiency, and the growth I’ve witnessed in the skills of the kids over the past few years struck me on a couple of  levels. Some of them are so young, they …[Continue reading]

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Monotype Printmaking – Bird Watching – and some fine artists to follow

Making a Painterly Monotype Here are some process photos for making a painterly monotype with non-toxic inks from a sheet of acrylic or plexiglass. If you’re interested in diving a little deeper into printmaking and monotypes, I’ve got a series of monotype tutorial demos for you on my youtube channel here. Grab a beverage and a notebook. In each video on my channel, there is a list of supply links to everything used in the demo. Find the lists in the ‘Show More’ links under each video window. Be sure to subscribe to the channel so you don’t miss upcoming watercolor and printmaking …[Continue reading]

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Color Monotype – Betrothed with Printmaking Process Photos

Color Monotypes in the Studio I’m filming a color monotype video to demonstrate how something as simple as your choice of paper can make or break your printmaking adventures, especially if you’re printing without a press. I also want to demonstrate that a failed print can be resurrected with other media.  The exercise to repair your work – to at least give it a try – informs your creative map for the next printmaking projects.  By making adjustments to color, shape and values on a failed print, you’re learning what to avoid in the future as you adjust and edit parts that didn’t meet …[Continue reading]

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Monotype: Apple Raft Up and a Printmaking tutorial video

Making a Color Monotype I’ve just published a tutorial video (you can see it below) showing the process to make a full color monotype on a sheet of mylar (also known as drafting film) on your desk – no press required.  I hope the tutorial video inspires you to give monotypes a try. It’s number four in a series (you can watch them here) on various ways to print a monotype without a press. I’ve used water-soluble printmaking inks in this one, mixed on another sheet of mylar used as a palette. The printmaking paper was kozo (mulberry) and there are instructions described …[Continue reading]

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Monotype: Start Here and Paying Attention in Art

Resurrected Art This little still life monotype ghost print was pulled from the stash I keep in a box in my studio. It’s nice to have a trove of art that’s started, but not finished, especially in the evenings when time is bracketed between dinner and bedtime.  Working on art that’s already laid-out pulls the finish line a little closer to you. Drifting off to sleep knowing you just completed a little art-making is a good path, even if you started the piece thirteen years ago. 🙂 Better than Planned I’ve been making monotypes since 2005 when I took a printmaking course to …[Continue reading]