Light Field Monotype – Potted Rosemary – and leaving inks on the plate for too long

Candles and potted plants in a sunny window, casting shadows on white tiles

Potted Rosemary 18×24 light field monotype with Watercolor (sold)

First, a Word – Then a Monotype

We’re approaching Christmas. This could signal time with extended family, gifts to wrap and unwrap, and hopefully, a morning lounging with a plate of waffles while still in your pajamas. There may not be a lot of art-making this week, but you can still think about art, right?  Or maybe distribute paper and pencils to everyone after dinner, set a timer, and draw each other’s facesJot down ideas for your future art projects.  Grab an artsy friend or visiting family member and head to a museum or a gallery.  How about watching an art documentary (with popcorn), or reading a biography on an artist you admire? Try listening to a podcast focused on interviews with artists. This type of art-flavored activity can be the grout around your creative time later.  And it’s all fun.

Imagine a special (cute) cupboard in your brain reserved for planning and getting excited about the art you’ll create in the new year…. what’s in there? Until we start to pull art supplies out to make that happen, I wish you a very Merry Christmas.

Building a Light Field Monotype

This (above) is a sheet of plexiglass from amazon, beveled and sanded for dark and light field monotypes.  I put a drawing down with Caran D’Ache Water Soluble Crayons.  The soaked and blotted printmaking paper will lift the crayon from the plate and transfer my linework to the paper.  In the photo above, I’m using the drawing as a map to paint a kitchen counter still life with Akua Liquid Pigments (labeled AkuaKolor because I bought them before Speedball purchased and renamed the inks).  I’m leaving brush marks loose and edgy, with hopes that the mark-making will transfer to the paper on my press. I made the mistake of using water to thin the ink for some transparent passages, but I’ll be using modifiers from now on, because  the folks at Akua informed me that water tends to dull the brilliance of the pigment. #followdirections

The plexiglass plate, loaded with pigments on my desk in the studio, with the reference photo of my kitchen window above the monotype

We Interrupt This Program…

In the middle of working on this light field monotype – in early November – I realized – eeegads! – the holidays arrived. The partially painted plate sat neglected (and drying) through the rest of November and the first few weeks of December.  Every time I walked past my studio, there it was – leaning against the wall, jelly side out – staring at me with an unfinished-painting-pout. I worried that the water based ink would be rock hard after exposure to air for so long. I also started to think about how to get the ink off the plexiglass… I’d lose my beveled and sanded plate if the pigments were completely adhered to the surface.  These are the things I pondered while peeling potatoes, decorating a Christmas tree, and applying mesquite dry rub to poultry in the kitchen.  Can you relate? 👩🏻‍🍳👩🏻‍🎨

Part of my arsenal of Akua ink modifiers, purchased when I bought the inks to test some  properties with monotypes

Have Faith, Printmaker!

To quell my monotype fretting, I called the folks at Akua and asked about my air-dried-for-days ink dilemma.  They assured me that the ink was still wet, and I’d be able to pull the monotype. They said the ink might be a little thicker after weeks of air-drying, but it was still good to go, because the pigments can’t absorb into the plexiglass. While talking to them on the phone, I reached over and pressed a finger into a blue shadow, and voila, I had a blueberry fingertip. I pulled out and examined my modifiers, and at Akua’s suggestion, I rolled a single, thin layer of Extender over the entire plate with a brayer just before I printed it.

After soaking & blotting paper, and running the monotype through my press: the moment of truth….

pulling a light field monotype of a kitchen counter still life after a trip through the press

Pulling the light field monotype, and marveling at the ink transfer! Yipee!

When in Doubt, Research

So, even after weeks in my warm studio (I live in California), the ink on my monotype was still wet, and it printed.  I was amazed to see how much pigment transferred to the paper when I pulled the print. And wonder-of-wonders, the loosey-juicey mark-making I was hoping for also transferred to the paper, giving the monotype a first cousin of painterly goodness. Once Akua ink is on an absorptive surface, it dries quickly, so this print was dry in one day. The lesson for me on this monotype – well, there were two lessons – was 1) maybe start larger projects after the holidays, and 2) when the properties of an art supply are unknown, call the manufacturer and ask them about it. Real world questions, relayed to the manufacturer directly from the artist, are almost always welcome. They make the stuff, and have certainly tested stuff, but perhaps not exactly in the same way you and I use the stuff. Capiche?

Thanks for stopping by and I’ll see you in the next post!

Belinda

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Art Quote

When I was in art school, one of my fellow students painted a series of dead fish. She had seen one of Manet’s oil still life paintings of a fish on a platter, and it triggered an explosion of inspiration. My friend went to the market and bought dozens of fish. She painted them frozen, thawed, in piles, on newspaper, in jars, lying on the table, and in frying pans. She reveled in their shimmery scales and slippery textures for weeks on end, and her apartment smelled like the town dump. I was envious beyond description. It wasn’t that I wanted to paint fish or flies; I just wanted to find something that I felt that passionate about to paint.

At the time, I knew I wanted to paint, but I didn’t know what I wanted to express. For several years I painted a shopping list of subject matter; still lifes, landscapes, flowers, nudes, animals and seascapes. Although most of the paintings found a home on someone’s wall, none of them were truly aligned with my most passionate feelings, simply because I didn’t know what those emotions were. Since then, I have found what it is that I feel strongly about, and my paintings look more like they are mine. Although I must admit that painting hasn’t gotten any easier, it has become even more engaging.

Mary Whyte ~ Painting Portraits & Figures in Watercolor

Here’s a free mini-course with Six Tips to Paint More Often, based on the tricks I’ve used to get to my own brushes more frequently. Click the kitty.

12 Responses to Light Field Monotype – Potted Rosemary – and leaving inks on the plate for too long

  1. donnathibodeau9956 24/12/2018 at 7:34 am #

    I looked up the documentary you suggested and it is now free on Amazon Prime. Thanks for the Christmas present! I often follow your suggested reading and watching.

    • Belinda DelPesco 29/12/2018 at 8:27 am #

      Hi Donna, free movies about interesting people are always a good thing, eh? I’m glad you found it on Amazon Prime, and I hope you felt inspired to pursue your creative ideas in the new year.

  2. Kirsten 22/12/2018 at 6:47 pm #

    I will never be on your level of painting, but that’s okay Possibly because I don’t work on painting as much as everything else!). There are many other directions to go. And I’m moving in the next month or so, and my brain is shorted out.
    But questions! The sheet of plexi is sanded to a light frosting? To better hold the inks? The image on the plate looks plenty “latent” to me. Did you pull another print? I’m really drawn to print-making, but again, I don’t work at it enough AND I’m a messy person and get ink everywhere.

    • Belinda DelPesco 23/12/2018 at 10:27 am #

      Hi Kirsten, I think your curiosity about *everything* related to art is part of every artist’s best foundation. And wanting to know details doesn’t mean you’ll pivot over to try it. As a card carrying member of the Distracted/TooManyProjects Club, I applaud your focus on one or two art-making methods, while stoking the fire of creative curiosity around the fringes. Good luck with your move.

  3. Sonia 22/12/2018 at 1:20 pm #

    Wonderful result Belinda.

  4. Maricarmen Kirschner 22/12/2018 at 6:25 am #

    Very inspiring, Belinda! I love it! I am having hard time to start a new project and this amazing blog has me wanting to try something today in this cold day in Chicago. Thank you and Merry Christmas!

    Carmen Kirschner

    • Belinda DelPesco 22/12/2018 at 12:10 pm #

      Hi Maricarmen – I hope (with tea and cookies and a hug) that inspiration flows towards a whole series of new projects very soon!

  5. Carol Hetherington 21/12/2018 at 3:23 pm #

    Stunning, Belinda. Just stunning!

  6. John Brisson 21/12/2018 at 12:17 pm #

    As usual…wonderful!!!

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