Years ago (before social media), an accomplished art instructor gave me a lecture about being industrious in the art world. He said if you collected all the abundantly talented artists in America, you might populate the island of Manhattan in New York. If you removed the artists who didn’t prioritize practicing their craft, and the artists who were too “thin-skinned” to handle rejection and criticism, and the artists who lacked the social skills or desire to meet patrons, and talk about their work, and the artists who couldn’t focus or stay on-task to meet deadlines, or work in series, you might reduce that group to a quarter of the original size. So, the world of “working artists” wasn’t such a big population after all, and there was likely space in that smaller crowd to jump on in.
His lecture was encouraging at the time, as a wannabe painter. It’s easy to feel overwhelmed at the prospect of showing your work, and everything it entails related to marketing, inventory management, presentation skills, etc. Especially now, when social media gives us a telescope to see into so many uber-talented artists’ studios. His theory was conjectural, but his point was this: Don’t be swayed by populous competition in the art world. There are thousands of amazing cooks, and gardeners and sewists out there making great things with their hands too. Many of our talented peers want to make art, but they might not be interested in all the other hats required to make a living at it.
Thanks to everyone who responded to the download fact sheet on Watercolor Paper 101 (the link is here). I really appreciate the feedback, and I’m so glad the details are helpful. Stocking your art-making space with watercolor paper is so much easier if you understand your options. If you’d like downloadable info-sheets on other topics, leave a note in the comments, and I’ll add your request to my list of future topics. There are more in the works. Now, let’s get some painting going, shall we? 🙂
Thanks for stopping by – I’ll see you in the next post!
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My Dear Matisse,
I hope you will soon be well again despite this new winter chill, which in any event is healthier than that horrible fog we suffered from here as well. I almost ran out of coal, there wasn’t any more in Cannes, and they brought me a truckload from Nice. So now we can relax. My work is going pretty well, especially in the direction of understanding. During my morning walks I amuse myself by defining different conceptions of landscape – landscape as “space,” intimate landscape, decorative landscape, etc. But as for vision, I see things differently every day, the sky, objects, everything changes continually, you can drown in it. But that’s what brings life. I hope that as the days grow longer I will soon be able to come to Nice, and will be happy to see you.
Our friendliest wishes,
Bonnard – Shimmering Color, Antoine Terrass